Xander Marro is a fake scientist/olde style tinker residing at the dirt palace; a feminist cupcake encrusted netherworld located along the dioxin filled banks of the Woonasquatucket River (which is to say in Providence, RI, USA). From this post she makes movies, puppet shows, prints and phone calls. Her adventures underground have included curating the

Scott Lapham was born in Massachusetts in 1968 and came to Providence to attend the Rhode Island School of Design. His photographic series have explored neighborhoods, people and cultural trends that are often perceived to have little social worth. Within these communities, he looks to find emotional value, historic relevance and an appreciation for lives

Kenn Speiser, born in 1946, grew up in New York, and graduated from the Rhode Island School of Design with a degree in sculpture. He has remained in Providence, where he actively combines his talents as a sculptor and printmaker with various business and non-profit endeavors. Source: NetWorks 2009-2010 Catalogue Credits: Video: Richard Goulis “Scrod”

Denny Moers is known for his highly imaginative, technically innovative monoprints created by controlling the action of light on the chemicalsensitized photographic paper during the print developing process, giving his black and white photographs an extraordinary range of tonalities. He has photographed subject matter as diverse as New England architecture, medieval wall frescoes and tomb

Astrid, an American artist born in Havana, Cuba, has a BFA from the Rhode Island School of Design, and an MFA from Hunter College; she works from her studio at AS220 in Providence. Source: NetWorks 2009-2010 Catalogue Credits: Video: Richard Goulis Music: “”Opus I,”” Es Kisher Lousnyag Kisher (This Starry Night) Komitas © 2009 TFA-13-E, Cuba,

Rosanne Somerson is the president at the Rhode Island School of Design, she came to the institution as a freshman photography major but quickly discovered the joys and challenges of woodworking and furniture design. Studying with Tage Frid, she received a BFA in Industrial Design in 1976, eventually teaching in the program and helping to

Sculpture and science intersect in the work of Stephen Metcalf, whose large, often kinetic works derive from a structural principle called ‘tensegrity’—defined by inventor Buckminster Fuller as ‘tensional integrity’ or contemporary sculptor Kenneth Snelson, as ‘floating compression.’ Since his student days at the Kansas City Art Institute, from which he received his BFA in 1972,

I have been painting and drawing forever, and from the moment my little fingers picked up a bulky crayon my love for all things art began. I always wanted to be an artist, and throughout my life I have been blessed with people that have pushed me in the right directions. My artwork is driven

Deborah Baronas grew up on a New England farm and came of age as a designer in the textile industry. These working cultures have influenced her artistic investigations into the history of the American worker. Textiles are Baronas’ primary medium. In site-specific installations she creates interactive environments with scrims, paintings, drawings, video, music and photography.

As the founder and president of Morris Nathanson Design, with offices in New York, Boston and Providence, Morris Nathanson has led projects all over the world. He has won many awards for his hospitality venues and restaurants. In 1986, after decades of business travel, Nathanson settled down in his native city, Pawtucket, Rhode Island, and

Esther Solondz grew up in New Jersey, receiving a BA from Clark University in 1975 and an MFA in photography from the Rhode Island School of Design in 1980. She also pursued graduate work in film at New York University. Solondz’ artistic life has been an evolution through many different materials. Beginning with photography and

Originally inspired by the redwood forests in her native California, Allison Newsome sculpts on site, in response to the land. She writes, “I tote my clay, wax, aluminum, plaster, into the elements and then return to my studio with the memories embedded in my fingertips, like a naturalist returning from the field with specimens.” Her

Life’s course does not always follow the planned route. These days, as time allows, I am drawn to the sea, to bask in its restorative powers. I was raised on the water, the daughter of a sailor, and have always had an emotional response to the sea’s energy. I paint from life, plein air, in

Peter Marcus’ recent focus is on “The New American Family,” the title of his recent exhibition at the Newport Art Museum. Marcus creates large-scale composite prints using a unique collagraph printmaking process. He says that his work crosses boundaries between painting, printmaking and drawing. As a professor of art at Washington University in St. Louis,

Erminio Pinque is the founder and artistic director of BIG NAZO, an international performance group and creature-making studio in Providence. Originally from New York, he has lived in Providence since receiving his BFA in illustration from the Rhode Island School of Design, where he now teaches a course in creature creation. Source: NetWorks 2009-2010 Catalogue

Julie Gearan enjoys exploring a narrative in her painting; she describes herself as “a painter of themes that connect human relationships of past and present, linking ancient myths with our current everyday lives.” She also is interested in the portrait as a genre, and has recently been selected to paint the official portrait of Governor Lincoln D. Chafee. Gearan received

Mark Taber’s artistic world is one of other people’s “junk” assembled to create fantastical chariots. These assemblages of everyday objects that the Rhode Island native, born in 1943, has been making for over twenty years are often whimsical but also a trip into “a parallel reality,” as Taber says. Music informs Taber’s visions as well, sometimes

Nilton Cardenas, of Inca heritage, grew up in Lima, Peru where he studied journalism and painting at the University of San Martin de Porres and the Institute Superior José Sabogal, respectively. At the age of twenty, Cardenas arrived in Miami and after six years followed his brother to Providence where he has established himself in

John Dunnigan is a designer, maker, and educator. A native of Providence, Dunnigan is a graduate of the University of Rhode Island, with an MFA in Furniture Design from the Rhode Island School of Design. His work involves a range of contexts, materials, and processes, but it is driven by a consistent interest in things as an expression of

Dennis Congdon holds a BFA in painting from the Rhode Island School of Design and an MFA from Yale University. In 1983 he won the Prix de Rome and became a Fellow at the American Academy in Rome. He has been on the faculty at RISD since 1984 and has also taught at the School

Born in 1973, Brian Chippendale grew up around the Philadelphia area. His entry into the Providence art and music scene came after graduating from the Rhode Island School of Design in printmaking in the early 1990s. He began to make posters and comics and was one of four founders of Fort Thunder, a warehouse space

Allison Paschke explores dimensionality and geometry in her abstract sculptures and installations. She uses reflective and translucent materials such as mirrors, porcelain, and resin. Her work is interactive, affected by space and light, and is intended to stimulate one’s inner psyche as well as one’s aesthetic appreciation. Paschke received a BFA in ceramics from the

Performance art was the catalyst for David Allyn’s career as a ceramic artist. His gigs as “Uncle Thirsty” led him to make ceramic cups, which he says led to a “more grounded” approach to his craft. Using photo decals and silkscreen printing on porcelain, Allyn creates one-of-a-kind handmade porcelain objects, filled with color and imagery.

Irene Lawrence is a painter, printmaker, and maker of books as well as a musician who studies the cello and the viola da gamba. Born in California, she grew up on Long Island and came to Providence, where she lives, to attend the Rhode Island School of Design. Lawrence’s work is characterized by an integration of rhythmic strokes using monochromatic

My inspiration comes from absolutely everywhere, and I truly mean everywhere. I probably cannot find a place in the known universe, especially the unknown, in which I don’t find some inkling of interest that might someday or another translate into a piece of artwork, video, or performance. But I don’t dwell on that. Its a

Her love of Celtic culture inspires the creative life of artist Laura Travis. She is a sculptor, carving primarily in limestone, soapstone and slate, and has more than 20 years experience teaching Visual Art at all levels. Travis came to Rhode Island College from New York to study art education. For many years she had a studio at AS220,

A Pittsburgh native, Boris Bally received a BFA in metals from Carnegie Mellon University. Not afraid to take on the “form versus function” dilemma, Bally is a master of blending fine craft and popular culture. His work is both witty and innovative, employing the use of jeweler’s skills on non-precious materials. His current body of work transforms recycled street signs,

I was born in New York City and moved upstate with my family when I was five. I have always loved painting and drawing. I love the minutiae of everyday urban /postindustrial life. I like brief bios and statements, believing that the artwork is where the communication takes place. That’s my statement and i’m sticking

The art of Jane Masters is multi-faceted, like the artist’s upbringing and education. Born in 1962 in London, Masters grew up in Europe and the West Indies, where her father owned a hotel. She received an undergraduate degree in art and art history from the College of William and Mary, a BFA in ceramics from

Hank Gilpin enrolled at the Rhode Island School of Design to do graduate work in photojournalism after serving as a photojournalist in Vietnam. He instead discovered the joy of woodworking under the influence of instructor Tage Frid, who convinced Gilpin to enter the world of studio furniture. After apprenticing with Frid, Gilpin established his shop

After completing a BS in metals and painting at the Oregon College of Arts and Crafts, Monica Shinn moved to Providence in 1996. She has worked as a writer, a painter, a carpenter, a metalsmith, a welder, and an electrician. Having a technician’s knowledge and a fine art training informs both her design work and

Ana Flores is a sculptor and ecological designer. Her work, focusing on cultural and ecological narratives, is shown internationally and is in private, corporate and institutional collections throughout the United States and abroad. For two decades she has been promoting interdisciplinary dialogue and groundbreaking collaborations among the arts, sciences and humanities, working with communities to

Mary Beth Meehan is a photographer whose work explores issues of culture, community, and visibility. She undertakes long-term, in-depth projects, with support from the National Endowment for the Arts, RISCA, RICH, and others. “City of Champions,” her first public installation, in her hometown of Brockton, Massachusetts, was featured on the New York Times LENS blog,

Extraordinary and elegant in quality and beauty, Michael Glancy’s sculptures reveal the artist’s exacting struggle towards perfection. Drawing inspiration from natural macro- and micro-environments, Glancy translates cellular landscapes into elegant jewel-toned sculptural objects. Made with blown and plate glass, copper, bronze, silver, and gold, his works reference science, biology, molecular physics, and mathematics. A native of Detroit, Glancy received a BFA from

Jerold Ehrlich studied sculpture at Connecticut College. He has lived in Austria, Italy, and Japan and now resides in Narragansett, Rhode Island. His material of choice is rebar, which is found around construction sites where Ehrlich has spent much time in one of his other lives. Rebar is the skeletal armature for poured concrete. Surrounded

Richard Fishman grew up in Roxbury, Massachusetts and attended Boston University before transferring to the Rhode Island School of Design for his BFA. In New Orleans, at Tulane University, he earned an MFA. In 1965, Fishman began teaching at Brown University where he has contributed to the remarkable growth in the institution’s arts departments. His

  “‘Written in Stone,’ as the saying goes. This is my work. Tap, tap, tap, announces the dance between mallet, chisel, and stone. The idea of a sculpted surface or dimensional plane with letters carved upon it adds a literal and physical element to the understanding of the words. For fourteen years, I’ve been a

Making art is a marinade of questions. The questions concern everything from major concepts to small details. Solutions arrive from constant immersion in the marinade. Source: NetWorks 2008 Catalogue Credits: Produced & Edited by Jeff Rand for Luminosity™ Camera/Sound: Chris Sweitzer Production Assistant: Angus McFeldstein Artwork images: Jonathan Bonner © 2008 Executive Producer: Joseph A.

Jesse Burke is a New England native and currently lives in Rhode Island with his wife and their three girls—Clover, Poppy, and Honey. He received his MFA from the Rhode Island School of Design, where he is a faculty member, and his BFA from the University of Arizona. Burke’s work deals with themes related to

I am a painter who has lived and worked in Providence, Rhode Island for the past forty-one years. I received my BFA in painting from the Rhode Island School of Design in 1971 and my MFA in 1973. My paintings have been in the form of two series: one of self-portraits and the other of

The son of Greek immigrants, Philip Jamoulis Jameson was born in 1930, in Fall River, Massachusetts, and his parents stressed the importance of education early on. Jameson’s first passion was medicine. He became a radiologist, pioneering in radiotherapy in Fall River. His second passion was photography: he sees a relation between the interpretation of minute

Judyth vanAmringe’s art is based on years of design work as well as the intricacies of artistic process. She is a graduate of the School of the Museum of Fine Arts, Boston, and has attended the University of the Arts in Philadelphia. For many years vanAmringe worked in New York City as a designer, running a business that made accessories

Neal Walsh, born in Rhode Island in 1969, graduated from the University of Rhode Island and received important artistic training as the studio assistant for Pawtucket-based Polish artist Wlodzimierz Ksiazek. He serves as Gallery Director for AS220. Source in: NetWorks 2009-2010 Catalogue Credits: Video: Richard Goulis Edited by: Saulius Sruogis, Richard Goulis Additional footage: Jill

“Nature is my model, sometimes literally, always conceptually. With clay and glaze I imitate nature. With function and form; color and texture; history and need, I attempt a layering of forces and structures similar to that found in natural things like flowers.” Lawrence Bush is a potter, collaborator, and educator who has taught ceramics at the Rhode Island School of

A native New Englander who graduated from the Rhode Island School of Design, Gretchen Dow Simpson spent many years living in New York City, where she completed over 65 covers for The New Yorker magazine. In 1985, an exhibition at the Newport Art Museum brought her back to the area, and she moved to Providence’s

David DeMelim pursues parallel explorations in printmaking and photography. He earned a BFA from the University of Rhode Island, studying with Bart Parker and Chris Cordes, and has been involved in advancing computer driven printing technology. With a focus on the built landscape and its human connections, DeMelim considers form, weight and proximity in his

A musician and visual artist, William Schaff is a graduate of the Maryland Institute College of Art, and works from his studio in Warren, Rhode Island. Source: NetWorks 2009-2010 Catalogue   Credits: Video: Richard Goulis Music: “Spooky Will” performed by William Schaff, I Love You & I Miss You Accordian Tune, “Lioness” Songs: Ohia, The Lioness ©

“Painting for me is neither a magical channeling of creative forces, nor a juggling act of conceptual ideas. It is, instead, a highly personal experimentation involving elements of color, space, and line balanced with emotional experience. To that end, I have been a student of painting for over forty years.” A native Rhode Islander and