Performance art was the catalyst for David Allyn’s career as a ceramic artist. His gigs as “Uncle Thirsty” led him to make ceramic cups, which he says led to a “more grounded” approach to his craft. Using photo decals and silkscreen printing on porcelain, Allyn creates one-of-a-kind handmade porcelain objects, filled with color and imagery.

Jillian Barber, originally from England, grew up in Westerly, Rhode Island. She graduated from the Rhode Island School of Design where she studied ceramics with Norm Schulman and glass with Dale Chihuly. Barber has had a career in ceramic sculpture, mask making and costume design. She brings a passion for portraiture to her mythical and

Deborah Baronas grew up on a New England farm and came of age as a designer in the textile industry. These working cultures have influenced her artistic investigations into the history of the American worker. Textiles are Baronas’ primary medium. In site-specific installations she creates interactive environments with scrims, paintings, drawings, video, music and photography.

After graduating from the Rhode Island School of Design in 1984, with two degrees in Industrial Design, Peter Diepenbrock launched his sculptural career. He simultaneously supported his studio, producing limited edition furnishings and tabletop functional objects. While designing for his private label TROY, as well as Dansk and Umbra, Diepenbrock’s sculpture continued to develop. His

A native New Englander who graduated from the Rhode Island School of Design, Gretchen Dow Simpson spent many years living in New York City, where she completed over 65 covers for The New Yorker magazine. In 1985, an exhibition at the Newport Art Museum brought her back to the area, and she moved to Providence’s

Jerold Ehrlich studied sculpture at Connecticut College. He has lived in Austria, Italy, and Japan and now resides in Narragansett, Rhode Island. His material of choice is rebar, which is found around construction sites where Ehrlich has spent much time in one of his other lives. Rebar is the skeletal armature for poured concrete. Surrounded

Ana Flores is a sculptor and ecological designer. Her work, focusing on cultural and ecological narratives, is shown internationally and is in private, corporate and institutional collections throughout the United States and abroad. For two decades she has been promoting interdisciplinary dialogue and groundbreaking collaborations among the arts, sciences and humanities, working with communities to

In 1978 David Frazer began teaching at the Rhode Island School of Design, and he is still there in 2016, as head of the painting department. Frazer received his BFA from RISD in 1970, and as a participant in the European Honors Program, he traveled in Italy and The Netherlands, becoming influenced by the painting

Paul Housberg creates site-specific works in glass for corporate, hospitality, healthcare and public environments. He says, “my work explores the juxtaposition of order and randomness, as well as the natural human tendency to seek pattern in chaos, our persistent desire to find meaning in disorder. I’m inspired by the ordinary, yet strangely beautiful, phenomenon of

Barbara Owen received a dual degree in sculpture and poetry at Bennington College. She wrote a creative thesis under the direction of the poet Ben Belitt, studied sculpture with Brower Hatcher and painting with artist Sidney Tillim. Her work has been featured in numerous venues nationally and in 2016 she was asked to exhibit with

A multi-disciplinary artist, Lisa Perez makes abstract sculptural paintings, objects and works on paper that investigate attention, perception and spatial dimension. Fusing the subtle edges between mediums, her practice takes a malleable approach to form. The work invokes minimalism initially, but slowly one encounters an unfolding of playful extremes in color, shadow, form, and a

Richard Whitten’s paintings are meticulously crafted images on shaped wood panels. They are definitely painting but teeter at the edge of becoming sculpture. Whitten says, “My paintings imply the existence of places and objects of desire that, like the garden and flowers in Alice in Wonderland, can be glimpsed but  neither reached nor acquired. They

A Pittsburgh native, Boris Bally received a BFA in metals from Carnegie Mellon University. Not afraid to take on the “form versus function” dilemma, Bally is a master of blending fine craft and popular culture. His work is both witty and innovative, employing the use of jeweler’s skills on non-precious materials. His current body of work transforms recycled street signs,

David Barnes is a Newport artist with a long trajectory of success as a painter and teacher in Rhode Island. He received a BFA from the University of New Hampshire and an MFA from the University of Massachusetts, Dartmouth. His recent paintings have reflected his interests in the art historical past as well as the technological, fast-paced present—particularly the Internet.

“Nature is my model, sometimes literally, always conceptually. With clay and glaze I imitate nature. With function and form; color and texture; history and need, I attempt a layering of forces and structures similar to that found in natural things like flowers.” Lawrence Bush is a potter, collaborator, and educator who has taught ceramics at the Rhode Island School of

Collage is at the heart of John DeMelim’s art; to him it is the most cohesive way to represent the myriad of differing realities we experience each day. His images derive from extensive travel and study of ancient cultures in the Amazon, New Guinea, and Mexico, as well as visits to Mali, Japan, and Greece, with his late wife.

John Dunnigan is a designer, maker, and educator. A native of Providence, Dunnigan is a graduate of the University of Rhode Island, with an MFA in Furniture Design from the Rhode Island School of Design. His work involves a range of contexts, materials, and processes, but it is driven by a consistent interest in things as an expression of

Julie Gearan enjoys exploring a narrative in her painting; she describes herself as “a painter of themes that connect human relationships of past and present, linking ancient myths with our current everyday lives.” She also is interested in the portrait as a genre, and has recently been selected to paint the official portrait of Governor Lincoln D. Chafee. Gearan received

Irene Lawrence is a painter, printmaker, and maker of books as well as a musician who studies the cello and the viola da gamba. Born in California, she grew up on Long Island and came to Providence, where she lives, to attend the Rhode Island School of Design. Lawrence’s work is characterized by an integration of rhythmic strokes using monochromatic

Saberah Malik, of Warwick, has combined the traditional and the innovative in both her art and her life. The daughter of an Indian civil engineer, Malik was a first generation Pakistani who grew up traveling throughout Pakistan, absorbing the region’s art and culture. She received her BFA and MFA in graphic design and was awarded

Alan Metnick was born in Chicago and came of age in the 1960s. Shaken by the political turmoil of the era, he earned a BA in history at the University of Wisconsin. Determined to forge a meaningful life as an artist, Metnick first embraced photography, creating sensitive and strong work under the guidance of photographer Harry Callahan at the

Ilse Buchert Nesbitt was born in Germany and spent her childhood in Japan, absorbing the influence of sumi brush painting practiced by her mother. In the 1950s she studied at the Art Academies of Hamburg and Berlin, concentrating on typography and book design. As a personal art form, the woodcut seemed a natural progression from typography; both processes involve the

Jessica Deane Rosner was raised in Manhattan and received her BFA from the Cleveland Institute of Art, where she majored in enameling. Back in New York, Rosner worked in enamel and then jewelry before relocating to Cranston, Rhode Island, almost thirty years ago. She began to work in pen and ink, eventually finding satisfaction in

After completing a BS in metals and painting at the Oregon College of Arts and Crafts, Monica Shinn moved to Providence in 1996. She has worked as a writer, a painter, a carpenter, a metalsmith, a welder, and an electrician. Having a technician’s knowledge and a fine art training informs both her design work and

Jesse Burke is a New England native and currently lives in Rhode Island with his wife and their three girls—Clover, Poppy, and Honey. He received his MFA from the Rhode Island School of Design, where he is a faculty member, and his BFA from the University of Arizona. Burke’s work deals with themes related to

Extraordinary and elegant in quality and beauty, Michael Glancy’s sculptures reveal the artist’s exacting struggle towards perfection. Drawing inspiration from natural macro- and micro-environments, Glancy translates cellular landscapes into elegant jewel-toned sculptural objects. Made with blown and plate glass, copper, bronze, silver, and gold, his works reference science, biology, molecular physics, and mathematics. A native of Detroit, Glancy received a BFA from

  “‘Written in Stone,’ as the saying goes. This is my work. Tap, tap, tap, announces the dance between mallet, chisel, and stone. The idea of a sculpted surface or dimensional plane with letters carved upon it adds a literal and physical element to the understanding of the words. For fourteen years, I’ve been a

“Painting for me is neither a magical channeling of creative forces, nor a juggling act of conceptual ideas. It is, instead, a highly personal experimentation involving elements of color, space, and line balanced with emotional experience. To that end, I have been a student of painting for over forty years.” A native Rhode Islander and

Sculpture and science intersect in the work of Stephen Metcalf, whose large, often kinetic works derive from a structural principle called ‘tensegrity’—defined by inventor Buckminster Fuller as ‘tensional integrity’ or contemporary sculptor Kenneth Snelson, as ‘floating compression.’ Since his student days at the Kansas City Art Institute, from which he received his BFA in 1972,

As the founder and president of Morris Nathanson Design, with offices in New York, Boston and Providence, Morris Nathanson has led projects all over the world. He has won many awards for his hospitality venues and restaurants. In 1986, after decades of business travel, Nathanson settled down in his native city, Pawtucket, Rhode Island, and

Allison Paschke explores dimensionality and geometry in her abstract sculptures and installations. She uses reflective and translucent materials such as mirrors, porcelain, and resin. Her work is interactive, affected by space and light, and is intended to stimulate one’s inner psyche as well as one’s aesthetic appreciation. Paschke received a BFA in ceramics from the

Peter Prip, the son of Danish master metalsmith John Prip, was born in Denmark, shortly before his father came to teach at the Rhode Island School of Design. Prip attended the Rochester Institute of Technology, School for American Craftsmen, and after an apprenticeship with Ronald Pearson, launched a career as a studio metalsmith and jeweler.

Anthony Russo graduated from the University of Rhode Island in 1971 with a BFA but was undecided about a career as an artist until he sold an illustration to a Boston weekly, The Real Paper, and never looked back. Today he is a freelance illustrator whose many clients include The New York Times, Washington Post,

Dean Snyder’s sculpture has been characterized as “uncanny ‘graphical’ organicism experienced through seamless assemblies of highly considered forming, molding, and lamination.” Drawing plays a large role in Snyder’s studio. A native of Philadelphia, Snyder received a BFA in photography and sculpture at the Kansas City Art Institute in 1974; a British Arts Council Fellowship for

Rosanne Somerson is the president at the Rhode Island School of Design, she came to the institution as a freshman photography major but quickly discovered the joys and challenges of woodworking and furniture design. Studying with Tage Frid, she received a BFA in Industrial Design in 1976, eventually teaching in the program and helping to

Judyth vanAmringe’s art is based on years of design work as well as the intricacies of artistic process. She is a graduate of the School of the Museum of Fine Arts, Boston, and has attended the University of the Arts in Philadelphia. For many years vanAmringe worked in New York City as a designer, running a business that made accessories

Best known as the creator and, since 1994, the artistic and executive director of WaterFire, Barnaby Evans received his BS in biology and environmental science from Brown University in 1975. He had an early career as a photographer, exhibiting his work nationally and internationally. Today WaterFire epitomizes Evans’ mission to create innovative art works that

Nilton Cardenas, of Inca heritage, grew up in Lima, Peru where he studied journalism and painting at the University of San Martin de Porres and the Institute Superior José Sabogal, respectively. At the age of twenty, Cardenas arrived in Miami and after six years followed his brother to Providence where he has established himself in

Nancy Friese obtained her BS in nursing from the University of North Dakota, in the state where she was born and maintains a farmstead studio. She changed her career course and studied painting and printmaking at different venues, culminating in an MFA from the Yale University School of Art in 1980. Primarily a landscape painter

The son of Greek immigrants, Philip Jamoulis Jameson was born in 1930, in Fall River, Massachusetts, and his parents stressed the importance of education early on. Jameson’s first passion was medicine. He became a radiologist, pioneering in radiotherapy in Fall River. His second passion was photography: he sees a relation between the interpretation of minute

Shawn Kenney, born in Connecticut, grew up in Washington state and the Mid-Atlantic states before returning to New England to attend the Rhode Island School of Design. He has remained in the area, earning a living as an art director, designer and illustrator. Today he paints food and farms, producing luscious looking still lifes that

Scott Lapham was born in Massachusetts in 1968 and came to Providence to attend the Rhode Island School of Design. His photographic series have explored neighborhoods, people and cultural trends that are often perceived to have little social worth. Within these communities, he looks to find emotional value, historic relevance and an appreciation for lives

A multi-faceted artist and musician, Andrew Moon Bain was born in 1974 in Texas and grew up in the Pacific Northwest, playing classical music in the Seattle Youth Symphony Orchestra. Since receiving a BFA in sculpture at the Rhode Island School of Design, Bain has become an active part of the Providence arts community as

Janet Prip, the daughter of Danish master metalsmith John Prip, was born in 1950 in New York. By the time her father was concluding his teaching career at the Rhode Island School of Design, she enrolled as a student, lucky enough to study with her father for four years. Prip began her career as a

Andrew Raftery’s roots were in East Providence, from where his first generation Irish father came. He grew up in Washington, D.C., made his first print at the age of eleven, and attained a BFA from Boston University and an MFA from the Yale School of Art. Raftery, a professor of printmaking at the Rhode Island

Duane Slick identifies himself as a first generation urban Indian, born of a father from the Meskwaki Nation in Iowa— where Slick was born in 1961—and a mother from the Ho-Chunk Nation in Nebraska. He received a BFA from the University of Northern Iowa and an MFA from the University of California at Davis. Slick

Esther Solondz grew up in New Jersey, receiving a BA from Clark University in 1975 and an MFA in photography from the Rhode Island School of Design in 1980. She also pursued graduate work in film at New York University. Solondz’ artistic life has been an evolution through many different materials. Beginning with photography and

Mark Taber’s artistic world is one of other people’s “junk” assembled to create fantastical chariots. These assemblages of everyday objects that the Rhode Island native, born in 1943, has been making for over twenty years are often whimsical but also a trip into “a parallel reality,” as Taber says. Music informs Taber’s visions as well, sometimes