Ana Flores is a sculptor and ecological designer. Her work, focusing on cultural and ecological narratives, is shown internationally and is in private, corporate and institutional collections throughout the United States and abroad. For two decades she has been promoting interdisciplinary dialogue and groundbreaking collaborations among the arts, sciences and humanities, working with communities to

  “‘Written in Stone,’ as the saying goes. This is my work. Tap, tap, tap, announces the dance between mallet, chisel, and stone. The idea of a sculpted surface or dimensional plane with letters carved upon it adds a literal and physical element to the understanding of the words. For fourteen years, I’ve been a

I began working with glass in 1970 because it is an extraordinarily versatile material and I believed that there were endless unexplored possibilities. I still believe this . I employ the vessel as my vehicle of expression because of it’s basic three dimensionality; giving me the possibility of working in 2 and 3 dimensions at

Extraordinary and elegant in quality and beauty, Michael Glancy’s sculptures reveal the artist’s exacting struggle towards perfection. Drawing inspiration from natural macro- and micro-environments, Glancy translates cellular landscapes into elegant jewel-toned sculptural objects. Made with blown and plate glass, copper, bronze, silver, and gold, his works reference science, biology, molecular physics, and mathematics. A native of Detroit, Glancy received a BFA from

Allison Paschke explores dimensionality and geometry in her abstract sculptures and installations. She uses reflective and translucent materials such as mirrors, porcelain, and resin. Her work is interactive, affected by space and light, and is intended to stimulate one’s inner psyche as well as one’s aesthetic appreciation. Paschke received a BFA in ceramics from the

A native Californian born in 1980, Corey Grayhorse came to Rhode Island in 2002. She brought with her a California flair for fantasy that emerges in her photographs of costumed participants wearing tutus, dayglo outfits or animal masks, evoking her own Alice in Wonderland scenario and often drawing on popular culture. Grayhorse, who studied photography

Nicole Chesney, born in 1971, moved to Providence seven years ago, after undergraduate studies at the California College of Art and the Massachusetts College of Art, as well as an MA from the Canberra School of Art, Australian National University. Source: NetWorks 2009-2010 Catalogue Credits: Video: Richard Goulis Music: Written and Performed by Michael Delia “Piece

With camera in hand, Reenie Barrow is equally happy photographing flowers from her back yard as well as packing her bags and traveling from Havana to Hanoi, through the Mid-East, Europe, Mexico, Asia, Easter Island and several movie sets. She says, “The thread that binds my work is a straightforward presentation with the ultimate goal

Well-known as the creator of The Plaza of Art and Cultures/La Plaza del Arte y Las Culturas, the mural on Broad Street in Providence, Agustín Patiño was born in Ecuador in 1969, studied architecture at Cuenca State University and received his BFA in painting from Central University of Quito. He paints and resides in Providence.

Nicholas Benson, at the age of 15, began an apprenticeship at The John Stevens Shop with his father, John Benson. This shop in Newport, RI, founded in 1705, specializes in the design and execution of one-of-a-kind inscriptions in stone. Architectural and memorial lettering is generated by hand with a broad-edged brush in the manner of

Erminio Pinque is the founder and artistic director of BIG NAZO, an international performance group and creature-making studio in Providence. Originally from New York, he has lived in Providence since receiving his BFA in illustration from the Rhode Island School of Design, where he now teaches a course in creature creation. Source: NetWorks 2009-2010 Catalogue

Janet Prip, the daughter of Danish master metalsmith John Prip, was born in 1950 in New York. By the time her father was concluding his teaching career at the Rhode Island School of Design, she enrolled as a student, lucky enough to study with her father for four years. Prip began her career as a

Julie Gearan enjoys exploring a narrative in her painting; she describes herself as “a painter of themes that connect human relationships of past and present, linking ancient myths with our current everyday lives.” She also is interested in the portrait as a genre, and has recently been selected to paint the official portrait of Governor Lincoln D. Chafee. Gearan received

Gail Whitsitt-Lynch’s art reflects her curiosity and fascination with animate structures, examining how and why they appear over and over again in nature. With her work she hopes to draw viewers into a dialogue, intending to widen the definition of artists’ community. She explores a variety of materials, both two- and three-dimensional. Wood is the

Born in 1946, Bunny Harvey came to the Rhode Island School of Design where she obtained a BFA, MFA and MAT. In 1974, she won the Rome Prize in Painting from the American Academy in Rome. She soon launched herself on a series of career successes, including many solo exhibitions, thirty years of exclusive gallery

Dennis Congdon holds a BFA in painting from the Rhode Island School of Design and an MFA from Yale University. In 1983 he won the Prix de Rome and became a Fellow at the American Academy in Rome. He has been on the faculty at RISD since 1984 and has also taught at the School

I was born in New York City and moved upstate with my family when I was five. I have always loved painting and drawing. I love the minutiae of everyday urban /postindustrial life. I like brief bios and statements, believing that the artwork is where the communication takes place. That’s my statement and i’m sticking

Irene Lawrence is a painter, printmaker, and maker of books as well as a musician who studies the cello and the viola da gamba. Born in California, she grew up on Long Island and came to Providence, where she lives, to attend the Rhode Island School of Design. Lawrence’s work is characterized by an integration of rhythmic strokes using monochromatic

Life’s course does not always follow the planned route. These days, as time allows, I am drawn to the sea, to bask in its restorative powers. I was raised on the water, the daughter of a sailor, and have always had an emotional response to the sea’s energy. I paint from life, plein air, in

After completing a BS in metals and painting at the Oregon College of Arts and Crafts, Monica Shinn moved to Providence in 1996. She has worked as a writer, a painter, a carpenter, a metalsmith, a welder, and an electrician. Having a technician’s knowledge and a fine art training informs both her design work and

Artist Meredith Stern obtained a BFA in Ceramics at Tulane University in New Orleans. She is a member of the international printmaking group called The Justseeds Artists’ Cooperative and has a multi-faceted practice that includes printmaking, ‘zine publishing, gardening, and utilitarian ceramic ware. Stern has received project grants from RISCA, the Barbara Deming Memorial Fund,

Performance art was the catalyst for David Allyn’s career as a ceramic artist. His gigs as “Uncle Thirsty” led him to make ceramic cups, which he says led to a “more grounded” approach to his craft. Using photo decals and silkscreen printing on porcelain, Allyn creates one-of-a-kind handmade porcelain objects, filled with color and imagery.

Hank Gilpin enrolled at the Rhode Island School of Design to do graduate work in photojournalism after serving as a photojournalist in Vietnam. He instead discovered the joy of woodworking under the influence of instructor Tage Frid, who convinced Gilpin to enter the world of studio furniture. After apprenticing with Frid, Gilpin established his shop

Andrew Raftery’s roots were in East Providence, from where his first generation Irish father came. He grew up in Washington, D.C., made his first print at the age of eleven, and attained a BFA from Boston University and an MFA from the Yale School of Art. Raftery, a professor of printmaking at the Rhode Island

Rosanne Somerson is the president at the Rhode Island School of Design, she came to the institution as a freshman photography major but quickly discovered the joys and challenges of woodworking and furniture design. Studying with Tage Frid, she received a BFA in Industrial Design in 1976, eventually teaching in the program and helping to

Installation artist, filmmaker, and author Ann Fessler has spent four decades using her platform as an artist to bring hidden histories and stories to light. She turned to the subject of adoption in 1989 and has produced three documentary films, numerous audio and video installations, and written an award-winning book, The Girls Who Went Away,

Jesse Burke is a New England native and currently lives in Rhode Island with his wife and their three girls—Clover, Poppy, and Honey. He received his MFA from the Rhode Island School of Design, where he is a faculty member, and his BFA from the University of Arizona. Burke’s work deals with themes related to

Esther Solondz grew up in New Jersey, receiving a BA from Clark University in 1975 and an MFA in photography from the Rhode Island School of Design in 1980. She also pursued graduate work in film at New York University. Solondz’ artistic life has been an evolution through many different materials. Beginning with photography and

David DeMelim pursues parallel explorations in printmaking and photography. He earned a BFA from the University of Rhode Island, studying with Bart Parker and Chris Cordes, and has been involved in advancing computer driven printing technology. With a focus on the built landscape and its human connections, DeMelim considers form, weight and proximity in his

Judyth vanAmringe’s art is based on years of design work as well as the intricacies of artistic process. She is a graduate of the School of the Museum of Fine Arts, Boston, and has attended the University of the Arts in Philadelphia. For many years vanAmringe worked in New York City as a designer, running a business that made accessories

A native New Englander who graduated from the Rhode Island School of Design, Gretchen Dow Simpson spent many years living in New York City, where she completed over 65 covers for The New Yorker magazine. In 1985, an exhibition at the Newport Art Museum brought her back to the area, and she moved to Providence’s

Jessica Deane Rosner was raised in Manhattan and received her BFA from the Cleveland Institute of Art, where she majored in enameling. Back in New York, Rosner worked in enamel and then jewelry before relocating to Cranston, Rhode Island, almost thirty years ago. She began to work in pen and ink, eventually finding satisfaction in

Kenn Speiser, born in 1946, grew up in New York, and graduated from the Rhode Island School of Design with a degree in sculpture. He has remained in Providence, where he actively combines his talents as a sculptor and printmaker with various business and non-profit endeavors. Source: NetWorks 2009-2010 Catalogue Credits: Video: Richard Goulis “Scrod”

Making art is a marinade of questions. The questions concern everything from major concepts to small details. Solutions arrive from constant immersion in the marinade. Source: NetWorks 2008 Catalogue Credits: Produced & Edited by Jeff Rand for Luminosity™ Camera/Sound: Chris Sweitzer Production Assistant: Angus McFeldstein Artwork images: Jonathan Bonner © 2008 Executive Producer: Joseph A.

The son of Greek immigrants, Philip Jamoulis Jameson was born in 1930, in Fall River, Massachusetts, and his parents stressed the importance of education early on. Jameson’s first passion was medicine. He became a radiologist, pioneering in radiotherapy in Fall River. His second passion was photography: he sees a relation between the interpretation of minute

CW Roelle grew up in and around Palmyra/ Shortsville/ Manchester NY. The Finger Lakes region. It’s pretty up there. After high school he moved to Baltimore MD to attend The Maryland Institute College of Art. First a Visual Communications major, he quickly realized that graphic design and computers and all that weren’t his thing, so

Born in 1927 to Greek immigrant parents in Cambridge, Massachusetts, Thomas Sgouros is a fifty year veteran of the Rhode Island School of Design Department of Illustration, where he became department chair in 1975. Currently he paints “Remembered Landscapes” in his studio at the Fleur de Lys building, part of the Providence Art Club. Source:

Kate Blacklock’s early love of ceramics came from her viewing of the Pre-Columbian pottery at New York’s Museum of Natural History where her mother worked. Blacklock received her BA from the University of California at Santa Cruz and an MFA in ceramics from the Rhode Island School of Design. In her studio art, Blacklock has

Alan Metnick was born in Chicago and came of age in the 1960s. Shaken by the political turmoil of the era, he earned a BA in history at the University of Wisconsin. Determined to forge a meaningful life as an artist, Metnick first embraced photography, creating sensitive and strong work under the guidance of photographer Harry Callahan at the

Born in 1973, Brian Chippendale grew up around the Philadelphia area. His entry into the Providence art and music scene came after graduating from the Rhode Island School of Design in printmaking in the early 1990s. He began to make posters and comics and was one of four founders of Fort Thunder, a warehouse space

Howard Ben Tré’s sculpture, and especially, as we shall see, his public works, are permeated by idealism. Even when his sculptures are intended for more private viewing, they draw on forms that are at once simple and universal. Ben Tré recounts that he began to cast glass when he looked at the molten liquid and

Peter Prip, the son of Danish master metalsmith John Prip, was born in Denmark, shortly before his father came to teach at the Rhode Island School of Design. Prip attended the Rochester Institute of Technology, School for American Craftsmen, and after an apprenticeship with Ronald Pearson, launched a career as a studio metalsmith and jeweler.

When I was a student I attended a lecture by Naum Gabo the painter and sculptor whose philosophy of Constructive Realism had a profound effect on all modern art. He began his remarks by saying, “ It has always been my principle to let my work speak for itself, following the maxim that a work

Mary Beth Meehan is a photographer whose work explores issues of culture, community, and visibility. She undertakes long-term, in-depth projects, with support from the National Endowment for the Arts, RISCA, RICH, and others. “City of Champions,” her first public installation, in her hometown of Brockton, Massachusetts, was featured on the New York Times LENS blog,

Xander Marro is a fake scientist/olde style tinker residing at the dirt palace; a feminist cupcake encrusted netherworld located along the dioxin filled banks of the Woonasquatucket River (which is to say in Providence, RI, USA). From this post she makes movies, puppet shows, prints and phone calls. Her adventures underground have included curating the

Originally inspired by the redwood forests in her native California, Allison Newsome sculpts on site, in response to the land. She writes, “I tote my clay, wax, aluminum, plaster, into the elements and then return to my studio with the memories embedded in my fingertips, like a naturalist returning from the field with specimens.” Her

McDonald Wright transferred from the Pennsylvania College of Technology to the Rhode Island School of Design, where he graduated with a BFA in photography. He lives in Providence, and continues to use a manual camera and film photography over digital technology. Source in: NetWorks 2009-2010 Catalogue   Credits: Video: Richard Goulis Music: Debra Mann Additional

Paul Housberg creates site-specific works in glass for corporate, hospitality, healthcare and public environments. He says, “my work explores the juxtaposition of order and randomness, as well as the natural human tendency to seek pattern in chaos, our persistent desire to find meaning in disorder. I’m inspired by the ordinary, yet strangely beautiful, phenomenon of